Matteo Tundo is an Italian composer. His primary interest in composition is the perception and cognition of the sound event, the neural mechanisms that lead to the signification of sound. His work is focused on the application of the neuroaesthetic in music composition. After his early studies in classical guitar, he obtained a Bachelor's degree in Jazz guitar, studying with Umberto Fiorentino at the Conservatory “Luigi Cherubini” in Florence and then a Master's degree in Music and New Technologies. Later he specialized in the Master Sound Technologies and Music Composition at the Conservatory “Arrigo Boito” in Parma. He studied with Marco Ligabue, Alfonso Belfiore, Javier Torres Maldonado, Alvise Vidolin, Laura Zattra, Giorgio Colombo Taccani, Angelo Farina, Esther Lamneck, Emilio Ghezzi and many others. He attended master classes in composition with Yan Maresz, Achim Bornhoeft, Daniel D'Adamo, Iñaki Estrada, Karlheinz Essl, Gianvincenzo Cresta and others.

His music has been played in several Countries: Italy, Germany, Spain, United States, Iran, Korea, Japan and He participated as composer at international music festivals: Mise-En Festival (2019), Labirinti Sonori (2018), Diffrazioni Festival (2014, 2016), Estate Fiesolana (2016), Cluster Music Festival (2018), MUSLAB (2018), OUA-EMF (2017), New Music Day (2017), Mise-En Festival (2019), IlSuono Contemporary Music Week (2019).

Matteo is a member of ESCOM (European Society for the Cognitive Sciences of Music).

He has released three albums: Acatalepsy (Music Republic 2014), Zero Brane (Aut Records 2015) and Equilibrio di Hardy-Weinberg (Antimateria Lab 2017).

Email: This email address is being protected from spambots. You need JavaScript enabled to view it.
address: Via Gavazo 65, Ricengo (CR), 26010, Italy site: https://matteotundo.wixsite.com/matteotundo tel. : +39 3404575273
facebook: https://www.facebook.com/matteo.tundo

MUTAZIONI, for piano

PROGRAM NOTES 


In these studies for piano the term “mutation" (mutazione) refers not so much to the musical material itself, but to the perception that this process activates in the listener. The possibilities of mutation are explored through the repetition of well recognizable figures, which undergo changes sometimes evident, sometimes hidden. The form of the studies arises from the activated mutation processes, with some external elements that momentarily interrupt the flow by varying its development.

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Patron Program

Be inspired, be challenged and enjoy the privileges of being an SCO patron. Gain access to the best seats, composer meet and greet, and a host of other offerings. Join today to enjoy the music of our times.

Patron Levels: 

  • Orchestra - $40,000 AUD+
  • Chamber - $20,000 AUD - $39,999 AUD
  • Quartet - $10,000 AUD - $19,000 AUD
  • Solo - $5,000 AUD - 9,999 AUD

All donations and gifts are tax deductible in Australia.  

For more information about Patron Program please contact us:

office@sydneycontemporaryorchestra.org.au

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Be aligned with one of the most modern, progressive, innovative and contemporary orchestras in Australia. Our corporate sponsorship program allows companies to shine, market to a niche audience and reap many extensive benefits of such a partnership.

The more generous the level of support, the more exclusive the benefits, and may include:

  • access to dress rehearsals
  • client entertaining opportunities through meet and greet (composers and orchestra)
  • product display and marketing handouts
  • VIP tickets
  • recognition opportunities - social media, advertising programs at the concert
  • private event sponsorship opportunities
  • employee discount ticket program

Corporate Sponsorship Levels:

  1. $2500 Corporate Strings
  2. $5000 Corporate Woodwind
  3. $10,000 Corporate Brass
  4. $20,000 Corporate Percussion
  5. $40,000+ Corporate Orchestra

These are generally corporate sponsorships and tax deductible to the business as a business expense.

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No one else in Sydney is doing this, and you are providing a great contribution to our musical scene.

Steven Machamer - Timpanist 

 

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....an amazing energy, funding and collecting works is needed to organize and realize an orchestra such as SCO and all these wonderful concerts, you make the quality of music rise in every musical work and there are not a lot of you out there.

Trimor Dhomi - Composer (Kosovo)

 

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The SCO has been doing very interesting work indeed and certainly worthy of support.

Prof  Stuart Geoffrey Andrew Greenbaum - Composer (Australia)